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  • 98 Comments
Joined 3 years ago
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Cake day: June 13th, 2023

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  • You know wrong.

    Even in the early days (97-01), they’ve used venture funding (approx $80mil) for the DVD mailing business.

    And the reason they didn’t really go the VC funding way later is because they had an IPO in 2002, which meant instead of relying on VC funds, they took on massive amounts of debt to allow the takeoff of streaming.




  • No, that’s the evolution of venture capitalism.

    Step 1: groundbreaking service comes in that fills a market hole

    Step 2: people flock to service

    Step 3: service gets VC funding to continue operations, subsidising the users

    Step 4: service gets “copied”, competitors crop up, use VC funding to eke out their own marketshare while making things worse for everyone but themselves

    Step 5: expansion plateaus as interest in service generalises (basically, everyone who could be interested, is already using it)

    Step 6: VC funding depletes, company has to start making a profit - leading to price hikes, which is followed by other players in the market as that’s how capitalism works

    Step 7: price hikes not being enough, service tries to capitalise on their userbase (think restricting features to a higher paid tier, introducing new tiers that strip away features, introducing ads, etc.)

    Step 8: market is saturated with plateaud services, user movement is minimal, and everybody hates it because it’s expensive, and reintroduced the same problem the initial innovative service meant to fix.







  • I think this topic is actually ripe for debate.

    On one hand we know that Majel specifically recorded phonemes so her voice can be used for Star Trek purposes after her passing. While not a direct consent of “do whatever you want with my voice”, the intent of similar purposes as OP’s has been clearly present.

    There’s also Paramount’s refusal to use her voice in new Trek, aside from a few snippets here and there (mostly Picard for the throwback value). Which kinda goes against the spirit of Trek.

    On the other hand, the entire area of voice cloning is gray as fuck. It can very easily be used for nefarious purposes, yes - let that be corporate greed or fraud or propaganda. But if I make my own voice system, do I really hurt anyone by using their voice? I am not profiting off of it, I am not sharing the end result, it lives on my computer and that’s it.

    But, let’s say I want to do the same. There’s this TV show from some 20 years ago called Eureka. In it is one of the earliest representations of a smart house with an AI governor, called SARAH. SARAH is voiced by one of the recurring cast members, in fact it’s an ongoing joke that the house is voiced by this guy “talking like a girl”, and that he’s trying to get Sarah Michelle Gellar to do the proper, final voice…

    Now, the voice itself is pretty unique, but it isn’t the voice of the actor, it’s been heavily digitally edited. It’s also a pretty unique voice but not something 99.9% of people would recognise. I make my clone from my own BR disk collection, with a set of automated and AI tools to get the right audio, clean it up, split by talker, and process all 77 episodes, manually selecting the right samples, manually tagging and labelling each; and finally, fine-tuning my own model for my own use. It will never leave my home, I won’t sell or share it, and technically, with me owning the BR collection, this would fall under fair use.

    Which is still quite different than, say, a corporate entity trying to sell more product by using your voice.



  • IMO trying to milk the end users here is the wrong move. People are unsubscribing from the licence because they’re not using it and don’t want to pay £170 a year for something they don’t use. Which is fair.

    But one could easily “tax” the other services - TV channels, radio, streaming platforms like Netflix or Spotify, pushing these companies to provide 1% of their revenue to fund the public broadcasts.

    Combine that with the licensing the content abroad and you’ve got a plan going.