I can also recommend Lexend.

As far as I understand, GrapheneOS’s requirements focus on security features, not device speed.

From a musician to another, as someone else replied, if you’re making your work available digitally then you immediately lose control over if people pay for it or not. The good thing is, the ones who want to support you will if you give them a way. But you just can’t coerce them anymore. Spotify and other similar platforms are getting the whole cake because of the convenience that they offer, that’s it. And I’m sure you know how little of that cake trickles down to you.

I just want everyone to work on Ardour

Ok Satan

Ah yes, to generate profit for the Linux™ shareholders.

even the date of the year had become uncertain.

Why is that?

Honestly, latency/performance stuff. As in: how do VST synths ensure that they’ll synthesize in time to keep up with the audio buffer, depending on user hardware. I’m asking because I’ve seen/heard countless VST synths fail at this and sound like a clicky mess, and I feel like if I understood how it’s handled in code it would make more sense to me.

Spectrogram*

That’s actually an accurate description of what is happening: an audio file turned into a 2d image with the x axis being time, the y axis being frequency and color being amplitude.

LFI are doing exactly that, but the whole country is shitting its collective pants over it because it sounds so much more anti-Israel than every other party’s discourse.

I get where you’re coming from, but I also think it’s fair to say archaeologists have at least some insight into what happens to glass over long periods of time. Hopefully Microsoft has consulted with them.